b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.  Related Paintings of Albrecht Durer :. | Portrait of Erasmus | St George on Horseback | Mother of Sorrows | Young Couple Threatened by Death | Young Woman in Prayer with Loose Hair |
Related Artists:
CAROSELLI, Angelo
Italian painter, Roman school (b. 1585, Roma, d. 1652, Roma) Italian painter. He was the son of a dealer in second-hand goods and taught himself to paint. According to Baldinucci, he knew Caravaggio, who fled Rome in 1606, and this association may have encouraged his decision to become a painter. After visits to Florence (1605) and Naples (1613), Caroselli settled in Rome, where, in 1615, he married a Sicilian, Maria Zurca. His weakness for beautiful women was notorious (Baldinucci; Passeri). His second marriage, to Brigitta Lauri, daughter of the Flemish painter Balthasar Lauwers or Lauri (1578-1645),
Giovanni Ricco
1817-1873
Willem van Nieulandt
(1584-1635) was a Dutch Golden Age painter and engraver from Antwerp. His father Adrien van Nieulandt the elder was born to a family of artists of Flemish origin from Antwerp. He probably moved with his family to Amsterdam in 1589 after the Siege of Antwerp, because they were Protestants. His three sons Willem van Nieulandt II (named for his uncle, also a painter), Adriaen van Nieulandt the younger, and Jacob van Nieulandt all became painters. According to Houbraken, Willem was a pupil of Roelant Savery in Amsterdam, and he left him to travel to Rome, where he became a student of Paulus Bril. He specialized in painting artistic ruins of monuments, arches, and temples, many of which he then engraved himself. He returned to Amsterdam (via Antwerp) in 1607, and became a respected poet there as well as Italianate painter.